sweartotellthetruth

May 26, 2015

Blues and Rhythm Show 181 on 93.3 CFMU (Hamilton, Ontario)

Filed under: Uncategorized — Tags: , , , , — cmcompton @ 4:10 am

Swear to Tell the Truthfor Tuesday, May 26th, (1:00-2:30 pm)

On this week’s program, we present a tribute to B.B. King who died two weeks ago Wednesday. We’ll be mostly following a playlist we developed for a program we presented last July. The show showcased a few of B’s most important influences and then followed the course of his early career on records.

The description we gave for that earlier program explains the approach we took last July:

“Considering his place in blues history, we’ve played relatively little B.B. King over 139 shows. A listener suggested we put a B.B. King feature or special on the air and we thought it was high time that we did that. Whenever we concentrate our attention on a particular artist or theme we find ourselves going back to music we’ve overlooked, forgotten or misremembered and our research turns up information we’d forgotten or never knew about in the first place. In the case of B.B. King, we read the man’s autobiography for the first time, a book co-authored with David Ritz. In the book, King recalls the criticism he and Bobby Bland encountered from new white blues fans during the so-called blues revival. His music and Bland’s was condemned as commercial and a sell-out by people whose point of entry to blues was the folk movement. In time, the folk purism dissipated and British commentators, as well as some British musicians, had a lot to do with the inevitable reassessment of B.’s music and his place in the blues tradition. Still, King recalled the period before that happened as a time when his music was being rejected by both its traditional audience, now engaged by soul music, and the new audience who saw it as a betrayal of a tradition they barely knew about. Today, B.B. King enjoys almost universal and largely uncritical celebration. His dedication to studying his craft and improving his technique appear to have been lifelong commitments, as attested to by former members of his bands. As a DJ and a student of his own tradition he has developed a broad awareness of blues before and after B.B. King and not just blues. B’s musical interest is pretty wide-ranging.

Our feature deals with the period of greatness when B.B. King and his audience were in the same place and B. was extending the horizon of blues and taking the audience with him.”

On the Show:

B.B. King – Lonnie Johnson – Charlie Christian – Roy Brown

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msu.mcmaster.ca. The program will be available to stream or as a podcast until Jun 23rd.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (June 2nd)

Magazine show – no special theme

cmc

May 19, 2015

Blues and Rhythm Show 180 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, May 19th, (1:00-2:30 pm)

We went over our database of playtracks last week in preparation for our Specialty label gospel feature and noticed that we’ve never done a feature on Specialty label R&B although we have announced our intention to present such a feature. That changes this week.

When the world at large discovered classic R&B and interest grew in this genre of music, people often learned first about Specialty Records, the label that issued records by Roy Milton and Joe Liggins, not to mention, in later years, Lloyd Price and Little Richard.

Specialty emerged from a gaggle of post-war indie startup record labels in LA. It was actually not founded until 1946 as owner Art Rupe shut down his first label, Juke Box, founded in 1944, and sold off most of the Juke Box masters. Rupe ran Specialty himself, without partners, and he ran a tight ship. He established a roster of name artists and didn’t try to maintain a large and diverse catalogue. For as long as he could he declined to engage in payola, or radio pay-for-play. When he sensed the industry had shifted and his small indie could no longer get by, like Sam Phillips, he wound down the business.

Rupe began from an interest in “race music”, especially gospel. He attributed his success with Specialty to his ability as a producer, part of which would have meant the confidence to identify the acts that could make records he would be able to sell and leave the rest to other labels.

Unlike Sam Phillips, Art Rupe held onto his masters and was able to see them reissued in a comprehensive series of albums, which only enhanced the reputation of Specialty’s catalogue. Two early album\ reissues that surveyed the Specialty catalogue were titled This Is Where it All Began.

Our survey begins in 1944 with the Juke Box label recordings and ends in 1954.

On the Show:

Camille Howard – Sepia Tones – Roy Milton & HIs Solid Senders – Joe Lutcher – Jimmy Liggins & His Drops of Joy – Nelson Alexander Trio – Joe Liggins & His Honeydrippers – Percy Mayfield – Willard McDaniel – Lloyd Price – Chuck Higgins with Daddy Cleanhead

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msu.mcmaster.ca. The program will be available to stream or as a podcast until Jun 16th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (May 26th)

B.B. King special

cmc

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May 12, 2015

Blues and Rhythm Show 179 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, May 12th, (1:00-2:30 pm)

At the heart of today’s program. a feature on the Specialty label’s gospel catalogue. The first major gospel act to record for Specialty, in 1947, was the Pilgrim Travelers, a quartet from Texas who had recorded for the Library of Congress. The Soul Stirrers joined the label in 1950 and it was the Soul Stirrers with Sam Cooke (after he replaced the group’s original lead, R.H. Harris) who guaranteed the huge attention given to Specialty and its gospel roster, when the larger world discovered African-American gospel and its golden era.

We now know a great deal more about gospel on important labels like King, Savoy, Peacock and Nashboro, and we can appreciate how fine these other catalogues were but there’s no question that Specialty’s gospel catalogue was exceptional. Our feature will be a representation of the best-known acts on the label and a few lesser-known acts.

On the Show:

HowellDevine – Muddy Waters – Steve Strongman – Soul Stirrers – Original Gospel Harmonettes – Chosen Gospel Singers – Pilgrim Travelers – Princess Stewart – Rev. Charlie Jackson – Ruby Andrews

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msu.mcmaster.ca. The program will be available to stream or as a podcast until Jun 9th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (May 12th)

TBA.

cmc

May 6, 2015

Blues and Rhythm Show 178 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, May 5th, (1:00-2:30 pm)

We’re writing this after the show went to air. We went to air unaware that the station had replaced the two on-air CD players so the show was marred by some bad transitions as we learned the quirks of the new machines the hard way.

This week’s show was a miscellany. In the mix, a few tracks featuring New York session guitarists Mickey Baker and Wild Jimmy Spruill; a nod to the city of Baltimore; a segment devoted to Blues and gospel artists in Britain on tours arranged by jazz band leader Chris Barber; also, King Biscuit Boy produced by Allen Toussaint

On the Show:

Roy Lee Curtis – B. Brown & His Rockin’ McVouts – Charley McCoy – Sonny Boy Williamson II – James Cotton – Steve Strongman – Stephen Barry Band – Sister Rosetta Tharpe –and many others

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msu.mcmaster.ca. The program will be available to stream or as a podcast until Jun 2nd.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (May 12th)

TBA.

cmc

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