sweartotellthetruth

September 29, 2015

Blues and Rhythm Show 198 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 29th, (1:00-2:30 pm).

We’ve played a lot of early blues and country music in the past two weeks. Perhaps a bit more today but most of the show will be made up of more recent recordings. We try to balance things out from week to week but that perfect balance most often eludes us. We’ve got a mix of things to play for you this week. Couple of R&B instrumentals, Rip Lee Pryor and Snooky Pryor, something else from the new Otis Rush release; Jimmie Rodgers, the Singing Brakeman; Chicago R&B from the pre-Soul era; live Johnnie Taylor; and more.

We were looking at Steve Cushing’s playlist for last week. His show, Blues Before Sunrise, out of Chicago, covers a lot of the ground we do but in five hours a week. Each hour is arranged more or less thematically and each hour is available as a podcast. He covers early blues and gospel right up to about 1970. He covers the big names in R&B and blues-based jazz from the R&B era. He doesn’t include many of the things we try to on this show, our attention to soul music, and occasional forays into white country blues and Cajun music and a few other areas. We were impressed by the show when we first heard it years ago and we were also impressed lately by the book of interviews he published last year, a book called Pioneers of the Blues Revival. This book is made up of interview profiles of blues researchers, record men and collectors. We didn’t expect it to be as interesting or as informative as it proved to be, even though we’d heard one of the interviews when it was broadcast. As for doing a five hour show, we certainly couldn’t handle it with our current format but Steve Cushing’s program is available if you look up “Blues Before Sunrise” on the web.

Product Details

On the Show:

King Porter & His Orchestra – Lula Reed – Rip Lee Pryor – Jesse Fortune – William Clarke – Jimmie Rodgers with the Louisville Jug Band – Lee Harvey Osmond – Wade Flemons – Robert Ward – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until October 26th.

Contact Us: To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (October 6th)

TBA.

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September 22, 2015

Blues and Rhythm Show 197 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 22nd, (1:00-2:30 pm).

Ralph Peer had a large role in determining how and when roots music–blues and country–appeared on commercial records.  He appears to have presided over the first African-American blues record and the first commercial hillbilly record and, established a path that the rest of the industry quickly followed in both fields. Understanding the potential of the southern market for roots recordings, he was the first to employ recording field trips to find new material for the OKeh label. When he left OKeh, he took his knowledge and techniques to the Victor label. Soon after his arrival at Victor he organized the famous Bristol sessions where he found and recorded the Carter Family and Jimmie Rodgers, the single event for which he is best known. The list of performers he brought to the OKeh and Victor catalogues was impressive as was their recorded output. Peer was either extremely fortunate to be positioned where and when he was in the industry or he had the vision to understand the potential of roots music markets before others. Peer explained his method as looking for what was familiar in a song but with something new in it. He decided who would record what songs for his labels and at some point soon in his career became comfortable with suggesting how they should arrange a song. In business, he was an innovator. He took no salary from Victor but took his earnings from the per-disc mechanical royalties paid to copyright holders of recorded songs. This gave him and his performers an incentive to record songs that were new and unique to record and also to encourage other labels to record songs he had copyrighted. When the RCA Company became concerned about anti-trust, tit sold Southern Music Publishing the company he had established to handle copyrights at Victor to Peer and Peer built a large international music publishing business from that foundation. Our show looks at the race and country recordings Peer produced between 1920 and 1920. Our show is largely based upon information contained in Barry Mazor’s biography of Ralph Peer, Ralph Peer and the Making of Popular Roots Music, a book we recommend highly.

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On the Show:

James P. Johnson – Mamie Smith – Norfolk Jazz Quartet – Fiddlin John Carson – Sylvester Weaver – Ernest Stoneman – Lonnie Johnson – Richard “Rabbit” Brown – Carter Family – Ernest Phipps & His Holiness Singers – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until October 18th.

Contact Us To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (September 29th)

TBA.

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Blues and Rhythm Show 196 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 15th, (1:00-2:30 pm).

Our September 15th program showcased some late-modern blues from Junior Parker, newly available Otis Rush recorded live, solo Magic Sam. We took a couple of tracks from a recent reissue of the important R&B singer Varetta Dillard, one each of her Savoy and RCA recordings. Also, a track from last year’s double CD set Native North America, Vol. 1. Track from CFMU’s Everybody Dance Now #10 by The Vaudevillian led us into the Allen Brothers and we featured a variety of tracks from the collection Work Hard, Play Hard, Pray Hard, gospel tracks from Goodbye Babylon and obscure and “raw” gospel 45s off the collection This May Be My Last Time Singing.to round out the show.

On the Show:

Little Junior Parker – Otis Rush – Varetta Dillard – Fruteland Jackson – Icky Renrut – Allen Brothers – Gid Tanner – Brother Claude Ely – Prophet G. Lusk = Community Choir of Saulsberg, TN

Product Details

Featured album: Otis Rush, Double Trouble (Rockbeat. 2015)

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until October 11th.

Contact Us To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (September 22nd)

Full-length special:Ralph Peer and his role in turning roots music into popular music on commercial records. The man who produced the first African-American blues record, the first commercial hillbilly record and the first guitar blues among other achievements in the music industry.

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September 19, 2015

Blues and Rhythm Show 195 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 8th, (1:00-2:30 pm).

Each year, following Labour Day, we are asked/required  to present a show in the atrium of the McMaster Student Union Centre. Usually this happens in Wecome Week. This year, our show coincided with the first day of classes at McMaster. We presented a variety of blues, R&B, gospel and soul, with an emphasis on uptempo material.

On the Show:

Young John Watson – Raoul & the Big Time – Tiny Bradshaw – Pearl Reaves & the Concords – Big Maybelle – Barbecue Bob – Mance Lipscomb – Swanee Quintet – Willie Walker & the Butanes – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until October 11th.

Contact Us To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (September 15th)

No special theme

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Blues and Rhythm Show 193 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, August 18th, (1:00-2:30 pm).

We haven’t maintained our blogsite for the past month. This program began with some Texas blues, including a never issued instrumental by Long John Hunter. We featured Deak Harp on the show for the first time and then several Chicago blues tracks. We revisited a couple of white vaudeville blues recordings from the early 1920s and then looked at late twenties recordings by Clara and Bessie Smith, leading into a couple of quartet recordings from the Birmingham-Bessemer area of Alabama. Last in the show, some soul and soul-blues, including Cicero Blake.

On the Show:

Long John Hunter – Deak Harp – James Cotton – Aileen Stanley & Billy Murray – Clara Smith – Bessie Smith – Bessemer Sunset Four – Denise LaSalle – Cicero Blake – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until September 14th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (August 25th)

Mercury R&B story – 90 minute special

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Blues and Rhythm Show 194 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, August 25th, (1:00-2:30 pm).

Our plan was to work up a feature on R&B. This evolved to a full-length study of Chicago’s Mercury Records, a label which began as an independent specializing in R&B and country but was advantageously placed to become a major player in the recording industry. Our feature concentrated on the early years when, according to Berle Adams, the label’s success was based upon its R&B catalogue. We took the story from 1945 to 1952. Mercury did not remain a Chicago label for long. The label recorded in New York, New Orleans and L.A. and by the end of the fifties it was a major label, highly competitive in the pop field and with a large classical catalogue. As an R&B label, Mercury put together an impressive catalogue, including the recordings of Dinah Washington from 1946 to 1962. At different times the label had Eddie Vinson, Jay McShann, and Buddy and Ella Johnson on its roster.

On the Show:

Four Jumps of Jive – Sippie Wallace – Dinah Washington – Eddie “Cleanhead” Vinson – Helen Humes – Cootie Williams Orchestra – Professor Longhair – Austin McCoy Trio with Frankie Ervin – Chuck Norris – Big Jim Wynn – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until September 21st.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (September 1st)

We had to take a week off. The station played a repeat program.

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