September 30, 2020

Blues and Rhythm Show 289 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 8, 2020 (10:00 to 12:00 noon)

On this week’s program, our tenth show prerecorded at home, No particular focus. Some fifties R&B vocal groups, jazz-oriented R&B from the forties; taste of down-home blues; Southern Soul; Gospel from the Nashboro label.
On the Show:

On the Show:

Freddie King – Jerry Butler – Richard Berry & the Pharoahs – Paul James – Pee Wee Hughes – James Cotton – Ernestine Anderson – Merl Lindsay & His Oklahoma Nite Riders – Roscoe Shelton – Barbara & the Browns – Gospel Songbirds – Syl Johnson – and others.

Listen to the program each week at FM 93.3 in Hamilton, live on Cogeco Cable 288 or on CFMU online at cfmu.ca. The program will be available to stream or download until for eight weeks until November 3rd as a podcast. Just go the website, bring up the right playlist and stream or download the show.

Contact Us:

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week


October 21, 2013

Blues and Rhythm Show 102 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, October 22nd, 2013 (1:00-2:30 pm)

This week, we have a feature devoted to piano blues of the 1930s, 1929-1941, to be precise. The end of the 1920s saw a recording trend towards piano-guitar duos but, by the end of the thirties, larger combos prevailed and, though several of the leading figures on records were piano players, the piano may seem to have been less important as a lead or solo instrument in blues than at the beginning of the decade.  At the same time, the piano was prominent as part of an ensemble of  accompanying instruments on records by Big Bill, Memphis Minnie, Bumble Bee Slim, Tampa Red and many others in the second half of the 1930s.

Most blues recording in this era was controlled by a handful of individuals employed by or contracted to record companies, who among themselves determined who made blues records and what combination of instruments would be used on recordings. Lester Melrose controlled blues recording at both at Victor-Bluebird and at Columbia’s various subsidiaries. We don’t know to what extent the combos who made records reflected the way music was heard live. We do know that the Harlem Hamfats are said to have been a studio group who performed together rarely, if ever, live. In twenty years, the phenomenon of live music recreating recordings would be well under way. That development was in its infancy in the 1930s but the men controlling the studios for the three big companies were already utilizing certain performers, including piano players,  over and over, as studio musicians. This practice produced a certain sameness and predictability to recording sessions but the system was overturned after the war by the rise of the many independent labels recording blues and R&B–even though some of these companies would adopt a similar approach to the majors.

Our feature will look at some of the piano players who appeared most often as solo artists or leaders as well as at some players who were usually employed as accompanists to other artists.

We’ll also play a couple of numbers by preachers who made records, some West Coast bluesmen who are not household names, and a few minutes of soul out of Memphis.

On the Show:

Elder Solomon Lightfoot Michaux – King Solomon –  Al King – Lee Green – Lucille Bogan – Lil Johnson – Curtis Jones – Barbara and the Browns – Rita Chiarelli

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.mcmaster.ca. The program will be available to stream or as a podcast until November 19th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (October 29th)

Undetermined as of today. We’ll update.


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