sweartotellthetruth

September 27, 2016

Blues and Rhythm Show 242 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 27th (1:00 to 2:30pm)

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This is the last edition of the Blues & Rhythm Show after 59 months on the air. Our last show features Blues, R&B, Louisiana French music, Gospel and Soul.

On the Show:

Earl Hooker & His Roadmasters – Jimmy McCracklin – Monarch Jazz Quartet – Tommy Johnson – Lucille Bogan – Buckwheat Zydeco Ils Sont Partis Band – Harrison Kennedy – Dan Pickett – Etta James – Nappy Brown – James Brown & the Famous Flames – and others

Listen to the program at FM 93.3 in Hamilton, live on Cogeco Cable 288 or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or download until October 25th.

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Contact Us:

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

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Next week

Tune in for Put a Record On with Alysha

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July 7, 2015

Blues and Rhythm Show 187 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, July 7th, (1:00-2:30 pm)

We wound up having to rush this show together. We move around quite a bit in this week’s program. R&B from the Federal and Recorded In Hollywood labels, Texas barrelhouse piano, South Louisiana blues and R&B are in the mix. Also, Otis Rush and trend-setting record producer Ralph Peer, who will be the subject of an upcoming program. Some of the program refers back to earlier shows and some looks ahead to upcoming shows we have planned, like the Ralph Peer special and the Louisiana special later this month.

On the Show:

Willie Wright & the Sparklers – Dolly Cooper – Linda Hayes – Bozo Nickerson – Grey Ghost – Otis Rush – Wonder Boy Travis – Juke Boy Bonner – Paramount Singers – Etta James – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until August 4th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (July 14th)

TBA

cmc

April 22, 2015

Blues and Rhythm Show 177 on 93.3 CFMU (Hamilton, Ontario) – REPEAT

Swear to Tell the Truth for Tuesday, April 21st, (1:00-2:30 pm)

Chicago Soul special: Long story. We had in mind to take this week off but last week’s show went off the rails because we left some material for the show at home. We also had a malfunctioning audio pot on our on-air board although it was repaired during the program. Anyway, we decided to repeat last week’s program but as it was planned, so this week’s program is a repeat of last week’s, albeit with the complete playlist and a working audio board.

Today the terms “Blues” and “Soul” are often combined in a phrase and no one blinks. Blues and Soul shows. Soul and Blues festivals. There was a time when soul music was the enemy for come-lately fans of blues. Blues were authentic and organic; Soul was the inauthentic progeny of commerce. Even B.B. King and Bobby Bland were condemned in some quarters as betrayers of the real blues tradition. How far away that all seems. Meanwhile, performers like James Cotton and Junior Wells were adapting their repertoires and songlists, and others, like Little Milton and Syl Johnson became known as soul artists even though they’d begun singing and playing blues.

Besides electric versions of down-home blues, Chicago was also home to R&B combos and vocal groups. And it was the base for important gospel acts although many of the labels that recorded gospel were located in New York or on the Coast.

All of the strands of Chicago’s African American music were reflected somewhere in the development of soul music in Chicago. The music was quite diverse. Those who grew up in the south, like Otis Clay, Lee Williams, and Syl Johnson, tended to draw more upon on the blues or hard gospel. Vocal groups that formed in the Chicago high schools, like the Impressions, favoured cooler sounds.

Chicago had its own soul labels, artists, songwriters, producers and arrangers. Soul music from Chicago could be identified by its distinct vocal harmonies, brass arrangements, and rhythm, distinct from Stax or Muscle Shoals, or from Motown.

We were working on a new playlist for this week’s show but we got busy and when we looked back at an earlier playlist from 30 months ago we decided we’d rework and repeat that particular show. We’ll present the new program in the coming weeks.

On the Show:

Willie Henderson – Moonglows – Impressions – Bobby Miller – Etta James – Knight Brothers – Gene Chandler – Laura Lee – Lee “Shot” Williams – Barbara Acklin – Otis Clay – and many others

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msu.mcmaster.ca. The program will be available to stream or as a podcast until May 18th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (April 28th)

TBA.

cmc

April 13, 2015

Blues and Rhythm Show 176 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, April 14th, (1:00-2:30 pm)

Today the terms “Blues” and “Soul” are often combined in a phrase and no one blinks. Blues and Soul shows. Soul and Blues festivals. There was a time when soul music was the enemy for come-lately fans of blues. Blues were authentic and organic; Soul was the inauthentic progeny of commerce. Even B.B. King and Bobby Bland were condemned in some quarters as betrayers of the real blues tradition. How far away that all seems. Meanwhile, performers like James Cotton and Junior Wells were adapting their repertoires and songlists, and others, like Little Milton and Syl Johnson became known as soul artists even though they’d begun singing and playing blues.

Besides electric versions of down-home blues, Chicago was also home to R&B combos and vocal groups. And it was the base for important gospel acts although many of the labels that recorded gospel were located in New York or on the Coast.

All of the strands of Chicago’s African American music were reflected somewhere in the development of soul music in Chicago. The music was quite diverse. Those who grew up in the south, like Otis Clay, Lee Williams, and Syl Johnson, tended to draw more upon on the blues or hard gospel. Vocal groups that formed in the Chicago high schools, like the Impressions, favoured cooler sounds.

Chicago had its own soul labels, artists, songwriters, producers and arrangers. Soul music from Chicago could be identified by its distinct vocal harmonies, brass arrangements, and rhythm, distinct from Stax or Muscle Shoals, or from Motown.

We were working on a new playlist for this week’s show but we got busy and when we looked back at an earlier playlist from 30 months ago we decided we’d rework and repeat that particular show. We’ll present the new program in the coming weeks.

On the Show:

Willie Henderson – Moonglows – Impressions – Bobby Miller – Etta James – Knight Brothers – Gene Chandler – Laura Lee – Lee “Shot” Williams – Barbara Acklin – Otis Clay – and many others

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msu.mcmaster.ca. The program will be available to stream or as a podcast until May 11th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (April 21st)

TBA. Watch this space.

cmc

March 29, 2014

Blues and Rhythm Show 123 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, March 18, 2014 (1:00-2:30 pm)

We didn’t post about BRS 123 before the show but we’re trying to make up for that now. We followed several loose threads on that program but the heart of the program was a followup to our show from February 25th, when we presented a special on the blues of St. Louis from 1927 to 1936. On March 18th, we played a couple of tracks from “rediscovered” St. Louis blues artists of the twenties and thirties, a couple of commercial sides from around 1950 and some modern St. Louis blues recorded in the eighties

On the Show:

Jimmy “Preacher” Ellis – Cab Calloway – Diana Braithwaite & Chris Whiteley – Edith Johnson – Clifford “Grandpappy” Gibson – David Dee – Clayton Love – Shirley Caesar (as Baby Shirley) – Swan Silvertones – Etta James – and others

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.mcmaster.ca. The program will be available to stream or as a podcast until April 14th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (March 25th)

Our March 25th program didn’t follow any particular plan but included a selection of R&B records, most with backing vocal choruses, either vocal groups or ensemble band vocals. Also a couple of Medicine Show Men and a selection of Gulf Coast soul.

cmc

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