sweartotellthetruth

October 6, 2015

Blues and Rhythm Show 199 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, October 6th, (1:00-2:30 pm).

The Blues & Rhythm Show is not any one thing but it is first and foremost a blues show. We try to cover all kinds of blues, especially blues in the great tradition that endured into the 1960s. Certain blues styles, blues artists and record labels that specialized in blues have received a great deal of attention since the 1960s, and often at the expense of other blues styles, figures in the blues and other record labels. This was especially true especially early in the early years after the blues revival. For example, we have tried not to over-emphasize the Chess and Sun labels and recording artists in their respective catalogues on the program because these labels have received so much attention.

Blues from the Sun Record Company are an interesting case because the Sun label’s blues output was relatively small and just about all of it issued in a short period of time, 1952 to 1954. On the other hand, we can look at the output of Sam Phillips’ studio in Memphis as having produced much more blues than the 25 or 30 blues records issued on the Sun label up to the end of 1954, the year that Elvis Presley came to the label. The Memphis Recording & Sound Studio produced records for Chess-Checker, Modern-RPM and Trumpet before Phillips formed his own label. It also turned out to be the case that Sun recorded and kept the acetates and tapes of a great deal of material that was never issued as 78 or 45 rpm discs. So, the Sun archives turned out to hold a large store of Delta region blues and R&B.

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Though the researches of Colin Escott and Martin Escott and various collaborators along the way the Sun story has been comprehensively unearthed and more and more of the Sun catalogue has come available to present-day listeners first through an extensive LP series on Charly in the seventies and the Sun Blues Box on LP in the eighties. The culmination not just for the blues catalogue but for the rock and roll and country catalogues as well came recently with three lavish Bear Family box sets from Germany.

We did a 90 minute overview special on the Sun label in our 25th show and we haven’t returned to the Sun label since then. This week, we take a look at the blues side of the label in the feature portion of the show. We have not included some of the bigger names who recorded for Sun or for other labels at Memphis Recording & Sound Studios but we will come back for a followup Sun feature in the near future and fill out the picture of the Sam Phillips’ blues recording.

Filling, out this week’s program, a couple of songs from the gospel side of Sun Records, a pair of recordings with Clarksdale, Mississippi associations and some retro R&B.

On the Show:

Rosco Gordon – The Robins – Colin James – Super Chikan – Doctor Ross – Willie Nix – Jimmy DeBerry – Mose Vinson – Billy “The Kid” Emerson – Jones Brothers – Eddie Chamblee

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until November 2nd.

Contact Us: To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (October 13th)

TBA

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September 29, 2015

Blues and Rhythm Show 198 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 29th, (1:00-2:30 pm).

We’ve played a lot of early blues and country music in the past two weeks. Perhaps a bit more today but most of the show will be made up of more recent recordings. We try to balance things out from week to week but that perfect balance most often eludes us. We’ve got a mix of things to play for you this week. Couple of R&B instrumentals, Rip Lee Pryor and Snooky Pryor, something else from the new Otis Rush release; Jimmie Rodgers, the Singing Brakeman; Chicago R&B from the pre-Soul era; live Johnnie Taylor; and more.

We were looking at Steve Cushing’s playlist for last week. His show, Blues Before Sunrise, out of Chicago, covers a lot of the ground we do but in five hours a week. Each hour is arranged more or less thematically and each hour is available as a podcast. He covers early blues and gospel right up to about 1970. He covers the big names in R&B and blues-based jazz from the R&B era. He doesn’t include many of the things we try to on this show, our attention to soul music, and occasional forays into white country blues and Cajun music and a few other areas. We were impressed by the show when we first heard it years ago and we were also impressed lately by the book of interviews he published last year, a book called Pioneers of the Blues Revival. This book is made up of interview profiles of blues researchers, record men and collectors. We didn’t expect it to be as interesting or as informative as it proved to be, even though we’d heard one of the interviews when it was broadcast. As for doing a five hour show, we certainly couldn’t handle it with our current format but Steve Cushing’s program is available if you look up “Blues Before Sunrise” on the web.

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On the Show:

King Porter & His Orchestra – Lula Reed – Rip Lee Pryor – Jesse Fortune – William Clarke – Jimmie Rodgers with the Louisville Jug Band – Lee Harvey Osmond – Wade Flemons – Robert Ward – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until October 26th.

Contact Us: To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (October 6th)

TBA.

cmc

 

September 22, 2015

Blues and Rhythm Show 197 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 22nd, (1:00-2:30 pm).

Ralph Peer had a large role in determining how and when roots music–blues and country–appeared on commercial records.  He appears to have presided over the first African-American blues record and the first commercial hillbilly record and, established a path that the rest of the industry quickly followed in both fields. Understanding the potential of the southern market for roots recordings, he was the first to employ recording field trips to find new material for the OKeh label. When he left OKeh, he took his knowledge and techniques to the Victor label. Soon after his arrival at Victor he organized the famous Bristol sessions where he found and recorded the Carter Family and Jimmie Rodgers, the single event for which he is best known. The list of performers he brought to the OKeh and Victor catalogues was impressive as was their recorded output. Peer was either extremely fortunate to be positioned where and when he was in the industry or he had the vision to understand the potential of roots music markets before others. Peer explained his method as looking for what was familiar in a song but with something new in it. He decided who would record what songs for his labels and at some point soon in his career became comfortable with suggesting how they should arrange a song. In business, he was an innovator. He took no salary from Victor but took his earnings from the per-disc mechanical royalties paid to copyright holders of recorded songs. This gave him and his performers an incentive to record songs that were new and unique to record and also to encourage other labels to record songs he had copyrighted. When the RCA Company became concerned about anti-trust, tit sold Southern Music Publishing the company he had established to handle copyrights at Victor to Peer and Peer built a large international music publishing business from that foundation. Our show looks at the race and country recordings Peer produced between 1920 and 1920. Our show is largely based upon information contained in Barry Mazor’s biography of Ralph Peer, Ralph Peer and the Making of Popular Roots Music, a book we recommend highly.

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On the Show:

James P. Johnson – Mamie Smith – Norfolk Jazz Quartet – Fiddlin John Carson – Sylvester Weaver – Ernest Stoneman – Lonnie Johnson – Richard “Rabbit” Brown – Carter Family – Ernest Phipps & His Holiness Singers – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until October 18th.

Contact Us To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (September 29th)

TBA.

cmc

Blues and Rhythm Show 196 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 15th, (1:00-2:30 pm).

Our September 15th program showcased some late-modern blues from Junior Parker, newly available Otis Rush recorded live, solo Magic Sam. We took a couple of tracks from a recent reissue of the important R&B singer Varetta Dillard, one each of her Savoy and RCA recordings. Also, a track from last year’s double CD set Native North America, Vol. 1. Track from CFMU’s Everybody Dance Now #10 by The Vaudevillian led us into the Allen Brothers and we featured a variety of tracks from the collection Work Hard, Play Hard, Pray Hard, gospel tracks from Goodbye Babylon and obscure and “raw” gospel 45s off the collection This May Be My Last Time Singing.to round out the show.

On the Show:

Little Junior Parker – Otis Rush – Varetta Dillard – Fruteland Jackson – Icky Renrut – Allen Brothers – Gid Tanner – Brother Claude Ely – Prophet G. Lusk = Community Choir of Saulsberg, TN

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Featured album: Otis Rush, Double Trouble (Rockbeat. 2015)

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until October 11th.

Contact Us To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (September 22nd)

Full-length special:Ralph Peer and his role in turning roots music into popular music on commercial records. The man who produced the first African-American blues record, the first commercial hillbilly record and the first guitar blues among other achievements in the music industry.

cmc

September 19, 2015

Blues and Rhythm Show 195 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, September 8th, (1:00-2:30 pm).

Each year, following Labour Day, we are asked/required  to present a show in the atrium of the McMaster Student Union Centre. Usually this happens in Wecome Week. This year, our show coincided with the first day of classes at McMaster. We presented a variety of blues, R&B, gospel and soul, with an emphasis on uptempo material.

On the Show:

Young John Watson – Raoul & the Big Time – Tiny Bradshaw – Pearl Reaves & the Concords – Big Maybelle – Barbecue Bob – Mance Lipscomb – Swanee Quintet – Willie Walker & the Butanes – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until October 11th.

Contact Us To reach us with comments or queries, write us at sweartotellthetruth@gmail.com. You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (September 15th)

No special theme

cmc

Blues and Rhythm Show 193 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, August 18th, (1:00-2:30 pm).

We haven’t maintained our blogsite for the past month. This program began with some Texas blues, including a never issued instrumental by Long John Hunter. We featured Deak Harp on the show for the first time and then several Chicago blues tracks. We revisited a couple of white vaudeville blues recordings from the early 1920s and then looked at late twenties recordings by Clara and Bessie Smith, leading into a couple of quartet recordings from the Birmingham-Bessemer area of Alabama. Last in the show, some soul and soul-blues, including Cicero Blake.

On the Show:

Long John Hunter – Deak Harp – James Cotton – Aileen Stanley & Billy Murray – Clara Smith – Bessie Smith – Bessemer Sunset Four – Denise LaSalle – Cicero Blake – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until September 14th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (August 25th)

Mercury R&B story – 90 minute special

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Blues and Rhythm Show 194 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, August 25th, (1:00-2:30 pm).

Our plan was to work up a feature on R&B. This evolved to a full-length study of Chicago’s Mercury Records, a label which began as an independent specializing in R&B and country but was advantageously placed to become a major player in the recording industry. Our feature concentrated on the early years when, according to Berle Adams, the label’s success was based upon its R&B catalogue. We took the story from 1945 to 1952. Mercury did not remain a Chicago label for long. The label recorded in New York, New Orleans and L.A. and by the end of the fifties it was a major label, highly competitive in the pop field and with a large classical catalogue. As an R&B label, Mercury put together an impressive catalogue, including the recordings of Dinah Washington from 1946 to 1962. At different times the label had Eddie Vinson, Jay McShann, and Buddy and Ella Johnson on its roster.

On the Show:

Four Jumps of Jive – Sippie Wallace – Dinah Washington – Eddie “Cleanhead” Vinson – Helen Humes – Cootie Williams Orchestra – Professor Longhair – Austin McCoy Trio with Frankie Ervin – Chuck Norris – Big Jim Wynn – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until September 21st.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (September 1st)

We had to take a week off. The station played a repeat program.

cmc

August 4, 2015

Blues and Rhythm Show 191 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, August 4th, (1:00-2:30 pm)

Greater part of this week’s show devoted to Cajun blues from the earliest recordings through to the beginnings of the Cajun revival of the fifties. We cover the years roughly 1929-1952. Traditional Cajun music featured the accordion and the fiddle but, in the mid-thirties, tastes shifted to French-accented Western Swing. At least, that’s what the record companies offered for the most part and what the dance clubs featured, and it remained the case until the late forties, by which time local independent labels were springing up to fill the void left by the big labels after the war. Western Swing and Cajun Honky Tonk remained popular but there was also a return to and a hardening of the sound of traditional Cajun music. The culmination in some peoples’ minds was the hard Cajun rock and roll of Cleveland Crochet’s 1960 “Sugar Bee” with Vorris “Shorty” LeBlanc on accordion and Jay Stutes, steel guitar and vocal. Through all the transitions in style and popular taste in the recording era blues have been prominent in Cajun music.

On the Show:

Robert Pete Williams – Diana Braithwaite & Chris Whiteley – Soileau & Robin – Amédé Ardoin & Dennis McGee – Hackberry Ramblers – Happy Fats & Rayne-Bo Ramblers – Harry Choates – Nathan Abshire – Clifton Chenier – Trudy Lynn – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until September 1st.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (August 11th)

TBA

cmc

July 28, 2015

Blues and Rhythm Show 190 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, July 28th, (1:00-2:30 pm)

A mid-summer special devoted to post-war Louisiana blues this week–mostly the music of South Louisiana – swamp blues, R&B, zydeco. We’ll feature records made between 1953 and 1969. Small label blues from South Louisiana were arguably the last wave of popular commercial blues over the years 1954-1966. We spotlight what was known as “the Excello Sound”, records from Jay Miller’s Crowley, Louisiana studio as well as recordings on Folk Star and Goldband from Eddie Shuler’s Lake Charles operation and the odd track from other small Louisiana indie labels. As well, we draw from the folkloric recordings collected by Dr. Harry Oster in the years 1959-1963.

On the Show:

Percy Mayfield – Clarence Garlow – Lightnin’ Slim – Slim Harpo – King Karl with Guitar Gable – Rockin’ Sidney – Herman E. Johnson – Robert Pete Williams – Ashton Savoy – Lonesome Sundown – Carol Fran – Donnie Jacobs – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until August 25th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (August 4th)

TBA

cmc

July 21, 2015

Blues and Rhythm Show 189 on 93.3 CFMU (Hamilton, Ontario)

Swear to Tell the Truth for Tuesday, July 21st, (1:00-2:30 pm)

A listener asks if we will be taking a holiday from the show during the summer. The answer is we don’t plan to but we did plan to repeat a couple of playlists from older shows, one in July and one in August.

This week, we’re presenting for the second time a playlist from 2012. Exciting mix of music, including some African-American rock and roll and a feature on the early years of the Atlantic label, whose original owners were oriented to issuing a catalogue of jazz recordings but wound up creating what was perhaps the most influential rhythm & blues catalogue of the 1950s. With the success of its R&B recordings, Atlantic did go on to become a great jazz label in the LP era but that might never have happened had the labels owners and musicians not ensured the label’s survival by tuning their sights to the R&B market while the label was struggling to become established. Our brief survey of Atlantic’s early R&B recordings covers the years 1947 to 1954.

On the Show:

Bo Diddley – Midnighters – Amos Milburn, Jr. – Five Blind Boys of Mississippi – Ruth Brown – Frank “Floorshow” Culley – Professor Longhair – Clovers – Jesse Stone – Z.Z. Hill – Ike & Tina Turner – a.o.

Listen to the program at FM 93.3 in Hamilton or on CFMU online at cfmu.msumcmaster.ca. The program will be available to stream or as a podcast until August 18th.

Contact Us

To reach us with comments or queries, write us at sweartotellthetruth@gmail.com.

You can also follow the program at sweartotellthetruth@nosignifying on Twitter.

Next week (July 28th)

Louisiana special – swamp blues and R&B. Also planned for upcoming shows, Ralph Peer profile, our second Robert Johnson profile, James Brown.

cmc

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